18 December 2013

Kingston University: 'Raku' and woodblock printing

I wanted to try my hand at woodcut, and I saw Vessel as the best excuse for it. So with my inspiration from the Shunga exhibition, I went to see Iaonnis, our print technician, for some advice. Turns out he is hugely passionate about woodcuts, so I was able to use his (very expensive!?!) wood engraving tools. They were incredible to use, and maybe has to be on my list of tools that I must MUST have... We used some scrap hard wood from the woodshop called jelutong (which for future reference, is NOT hard enough for putting in the press...)

We started out with a tested piece. Each piece of wood was meticulously sanded down to be perfectly smooth and flat. 



Then there was the design! I initially hoped for a little triptych, but mostly because if one went wrong I still had two. (sorry for being rubbish and not photographing them, but I figured I better get this post done before I forget!)

Before you start chiselling away though, I was using some incredibly expensive tools that I borrowed from our print technician Iaonnis, so it is a job that needs investing in! The wood, the tools, the design, everything is vital to making these kinds of prints. No willy nilly MDF, chipboard stuff! Although it works, there is nothing more satisfying than investing in pieces like this, even if the final outcome isn't there, it's all part of learning the process. Why do it if you don't do it well?

Typically, something would go wrong... As soon as I started using the press, the blocks ended up getting squished! So had to do some last minute job on acrylic, which actually works very well in a similar way. Below is the acrylic version.



I plan to do a LOT more print in the next term, I feel that the print room is the biggest thing that I will get out of this course for me. I guess now is a good time to reflect on the first term... I would say that it has been really incredibly enjoyable, and thankfully all the hard work has paid off! However, in reflection... I still can't help but wish I did Textiles. Thankfully, this realisation has made me more proactive in that direction, and I definitely WILL be doing some more fashion illustration. It might not be the career I want to specifically pursue but hey, I love doing it, and doing stuff I love definitely shouldn't stop. My assessment tutorial went well, and it was especially nice to talk about what I need to do to make the next steps. I certainly won't be getting firsts all the time, but as hard as it is to remember, that's not my main goal of this degree. It is obviously to make a career out of my hobby!

We have a pretty relaxing Christmas this year actually... An essay (on a cool topic, I might add) and then some location drawing. Hopefully I can keep you all in the know more gradually next term! I can't promise it as such but I guess following me on Instagram (insta_vivien) might help...

Merry Christmas and a Happy New Year! Thankyou all again for the support and just for reading!

10 December 2013

Kingston University: Jonathan Cape Graphic Novel

This is from forever ago, I'd totally forgotten I'd even done it! I made a graphic novel as part of my summer project. It was a real toil to get to this, and I went through so many ideas but got there in the end.

This is a story recounting a hike that Jonas and I took in the Austria over the summer. Soppy, but very honest. And what is work without heart, eh?




It still needs some editing, and I may add one last page as well, and consider putting it on my shop... There's certainly not very much on there! I'm quite enjoying the graphic novel as a format, and works surprisingly well with me. Hopefully I can get to do some more if I have the time! 

09 December 2013

Kingston University: Location Drawing, Kew Bridge Steam Museum

Freezing away at Kew Bridge Steam Museum, these were produced!





Quite happy with these, seeing as I haven't done any location drawing in a long time. Hopefully I can get back into it.

Kingston University: Crispin Finn

The last project was working with power duo (plus dog Finn) Crispin Finn. We were also put into pairs and assigned a number. The lovely Jodie and I were assigned (lucky) 17!

 Our brief wanted us to use two colours and print. Crispin Finn set us a questionnaire which we were to use as additional starting points aside from our number. We got right into the project and we found that age was the way we wanted to go with this, looking at how we felt at 17, how we all acted and what it means to be 17.

We saw it as a time for rebellion, but also when our emotions are conflicting. Wanting to grow up (and drinking obvs) but also feeling afraid of the pressures of adulthood. We got through it very progressively, and seeing as we were working in pairs we did everything together, sketchbooks, printing the lot! It was really good fun and we loved our outcome.

Being two reportage girls, of course our first move was an exhibition to draw. We headed to the Bill Woodrow exhibition at the RA armed with fluorescent orange and teal colours.



After that we experimented with objects, and we landed on the car as our muse. After little success cutting up a tyre (turns out they have steel bands inside?!), we went for toy cars and hammered them flat ready for printing with.



Our final prints!




The greyboard prints were made using carbon paper, and we lay all the pieces over it and prints on two sides of A3 greyboard. These then created the carbon paper prints, which we rolled ink onto and printed again.

I'm loving using the print rooms so much, I can't wait to be in there more.

Vessel at CRATE Brewery

Here are a few pictures of our event at CRATE. Perhaps a little slower in fundraising, but we've really enjoyed being here and look forward to the next events! And this is my print, I promise to post up some pictures of that specifically, and tell you about the process later.






Thankyou to everybody for coming down, it means so much to us! And we're off to a great start on the fundraising front! Only one of them sold in the end so if you're interested in buying, they're still about!

Kingston University: Life drawing with Hannah

This year, our life drawing sessions are with Jake, making it the notorious experimental life drawing. All the colours and theatre and crazy music, was a lot of fun indeed. Our model Hannah was great, and a real character... I think she very much liked performing for us!





24 November 2013

Vessel

Hannah, Mike and I have been working on a big project for a while...

With last year's The Magic Pencil event coming down as a success, we really wanted to continue with the events and projects we'd set for ourselves. We booked out our exhibition space in the foyer for the end of this year, just so we had set something for ourselves. Back then, we'd gone for a theme of home, but then nothing was quite set yet.

Meanwhile, Mike had been busy all summer, and managed to get us a spot for a few days at Boxpark in Shoreditch. We decided to merge the two projects today and we wrote a brief called 'Vessel' for making prints, and also exhibiting in our space as well.

Unfortunately, Boxpark dropped us the night before we were meant to set up. We were so angry, and frustrated that places like this feel it's perfectly ok to drop us like that. However it may be a little blessing in disguise, and we are set to to open a stall at Crate Brewery in Hackney at the end of this month. 

I made a Japanese wood block inspired piece. I did originally make it with wood, but it wasn't hard enough to take the pressure of the press. So this is actually carved out of acrylic. I'll post about it shortly!

Funnily enough, this term has made me less and less inclined to pursue drawing as a career, although I never ever thought I would be freelance. Hannah and I have particularly enjoyed all the organising and curating. We plan to do as many as we can to help fundraise for us, as well as curate some stuff for fun. Both good and bad things have come up from less drawing projects though, I feel my confidence is still pretty low, but I think I can at least see one thing I'm good at. But what it means is is that when I DO draw, it's back to square one, and I am really done with hearing what anybody else has to say about it anymore. Thankfully it means I can really enjoy the drawing projects for my own pleasure again. Just the way it should be.




Which leads me into a shameless plug...
If you're about, it would be amazing to see you all at Crate Brewery! Vessel is open from Wednesday 27th November - 4th December, 5-10:30pm on weekdays, 12-10:30 on the weekend. 




23 November 2013

Shunga: sex and pleasure in Japanese art

As part of some research for an upcoming project, I thought I'd pop into The British Museum, which also happened to house this exhibition... And I was curious to go and have a look. I was most definitely not disappointed.


Our tutor loves print and we'd visited the Tate Britain print rooms the year before, so I'd been introduced and intrigued with woodblock before. I think it's an incredibly brave exhibition to hold especially in Britain, what with our 'British reserve', but I think that it was an incredibly enlightening for everybody. I'll admit, it was much more explicit than I thought but then I think it's a great thing for us to see, and to be exposed to the Japanese opinion on sex and erotic art. 

I've been working on a woodblock for another project, will definitely put some up for you guys to look!

04 October 2013

Kingston University: Minute Megaphone

Our first project of the year proved to be a pretty tough one. Using only performance, film or photography, we were to take the megaphone as an object to inspire a piece. This was supposed to demonstrate our 'megaphone' and what that might mean. For me, I took the shape as my first inspiration, taking it much like an animal cone around their heads, and how it might restrict a person if they were to wear one. Of course, it did the opposite, making it so uncomfortable to communicate. Then it lead to being drowned in words, one who is desperate to speak, but physically can't. You can see the video below, or on Youtube.


A massive thankyou to Pippa, for helping me despite the risk factor. Lets just say, I wouldn't do this at home kids.

03 September 2013

Munich and Friedrichshafen Photography.

The promised photographs. Isn't it funny how photographs and drawings are just so intertwined? It's interesting as an illustrator to see the differences between the two mediums. Because both photographers and illustrators have totally different roles, even though I often play both! If you like drawing, maybe its worth trying some film photography, and also photographers try drawing. It would be an interesting experiment, don't you think?

You can see some more photography on my Tumblr.











26 August 2013

Munich and Friedrichshafen Sketchbook.

An excursion to Southern Germany was the part of this summer where I could have some real real downtime, and it was certainly needed. I brought a sketchbook with me, admittedly a thin one, but all the same. However, Jonas and I did get through a whole 5 or 6 films collectively, so as soon as those get developed they'll be here for sharing (and also on my photography Tumblr)!

The beginning of the holiday, I was getting so frustrated with my drawings and how they turned out, and I've realised that it's really not worth it at all. If it works it works, if it doesn't it doesn't. The most important thing is that I still keep going, and somewhere in the clutch there'll be a gem.

If you ever get the chance to visit Bodensee, hell do it. It was truly peaceful, beautiful and so much fun. Also a huge, eternal thank you to Jonas for taking me to Germany, I love you. Awww, so mushy.